Mastering Worship

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This continues to be one of the greatest challenges in church music: not only to perform the masterworks with authenticity and integrity, but also to choose and present the simple song or the prayerful response in just the right way.
—Howard Stevenson

A well-rounded worship service will allow people to express their individual gifts. Some can sing solos beautifully; others are trained at keyboard or orchestral instruments. Still others can perform drama or read Scripture effectively.

Yet how are these gifts recognized? How are these people chosen to use their gifts in worship? When and what may they perform? How should the congregation be encouraged to respond? These questions confront every leader of worship. On the one hand, we want people to share their gifts. On the other, we want to offer a unified service that engages the entire congregation in worship.

I've wrestled with these questions often over my years of music ministry. Many times after inviting someone to offer special music, I've had occasion to smile broadly in approval. Occasionally, I've moved into the shadows in embarrassment.

Here are some insights I've gained as I've striven to use people's gifts in worship. Although I will focus my attention on the ministry of special music, these principles apply to dramas, readings, or any special contribution to worship.

A beautiful voice is not the only prerequisite to being selected to sing a special number. Appropriate ability must be combined with a gracious spirit, a life of faith generally recognized as above public reproach, a strong sense of integrity, and a dedication to the task that seeks no personal gain.

How much ability is required? Some people draw attention to themselves because their ...

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